The Best Kind of Questions

One of the things that is a definite balm to the soul of a writer of children’s books is those moments where you get feedback that lets you know that you have reached a child’s imagination.

I was lucky enough to be approached by a teacher friend who has some students reading my first book, A Ghost Called Dog and they had some questions about the backstory of the dog prior to his becoming deceased.

I was more than happy to answer them and I am sharing them here in case you enjoy the answers too as children ask the best questions.

I should warn you that there are some spoilers here so you may want to read the book first if you want to get the story completely unprepared but otherwise I hope you enjoy.


To Mrs Allen’s students,

I was very happy to receive your questions that Mrs Allen passed on, and I will do my best to answer them shortly, but if you would allow me the time I would like to spend a moment preparing you for the answers.

I suspect that humans have been telling stories since there have been humans.  Since the days we first huddled round fires in the dark and started to talk to each other. Stories are one of the ways we make sense of the world around us and they have a special kind of magic of their own. A good story will fire your imaginations but in the retelling it takes on a life of its own. Whether by accident or design a story will always change in the telling, even the book you have read is different to how the story first appeared in my head.

I tell you this not to say my book is good or special, but to say that I am truly grateful that you cared enough to ask these questions. I will do my best to answer them from the world which I have created but please remember that if you don’t like my answers, you can always make up your own.

Keep doing that and maybe you’ll write you own books one day.

Why aren’t there more ghost dogs?

There are very few ghosts in the world at all and even fewer ghost animals. Usually, something bad has to happen to someone to make their spirit need to linger with the living. For animals this is rare because animals are consumed with animal things like food, and head scratches but not so much with complex human things like mathematics or history. However, there is a sacred tree in Abby and Chris’s garden which is a link to the Land of Fairy and powerful magic. When Abby and Chris awaken a spirit by playing in the sacred tree, magic seeps back into the world and calls the spirits of animals that were buried nearby into the world. The ghosts in this book are unique as far as I know.

How did the dog die? Did it get hurt?

These are really good questions. This is a writer’s way of stalling for time, but the honest answer is that I don’t know but there is a reason for this. Even if Chris had asked Dog how he died (and I don’t know why he didn’t), I’m not sure woof would explain the answer. However, we do know that there were a series of pets buried in the garden that came back as ghosts thanks to magic, and I like to think they were all much loved family pets who reached a good age and then died of natural causes. Why else would they be buried in the garden?

Why doesn’t the dog have a ghost collar? Why isn’t the dog with its ghost owner?

As I said, I don’t know for certain what happened to Dog but I believe his owner is still alive as dogs live much shorter lives on average than humans, and Dog was only brought back by the stray powerful magic that seeped into the garden. A collar is a human thing to denote ownership of a pet, but you can’t own the spirit of something and so when the magic brought back the spirit of Dog, his ghost came back as an animal without a collar.

I hope this answers your questions, or at least gives you something to think about.


Why do you write like you’re running out of time?

Here was are in 2019 and I was supposed to have a summary of 2018 already posted for you, but life got in the way so I’m going try to fold that into my first post of the new year as I talk about what it was like to be in the room where it happened. Now, that’s a second Hamilton reference in this post already so no prizes for guessing what I saw last week. Now, I won’t win any prizes for originality or foresight if I tell you that Hamilton is brilliant so rather than rehashing what others have written I’ll talk you through my thoughts as I look back on the last year, including some bits of pieces that hit me at the show and after.

So, where to begin? Always an important question for a writer to answer. When you last heard from this plucky scribe you either were reading about my Halloween trip to see The Dresden Dolls, or you got an insight to how December was treating me and some thoughts on books that I’d been reading from my newsletter.

What’s that you say? You didn’t know I had newsletter? Well indeed I do. It comes out roughly once a month, covering what I’ve been up to, thoughts on mostly books but films and other things get in as well and that’s where you’ll get early warning of things I’m scheming up. You can sign-up at and I’d love to hear from you or for you to share it with the writer or reader in your life.

So looking back it’s been an up and down year, much like most of life. The stories that I could spin you about health, love, death and illness, but they’re not all mine to tell. Some of them might creep into something because a as writer life’s events have a habit of slipping into stories one way or another, but if I’m doing it right it will be in ways that services the story and won’t be recognisable. The early advice to a writer is always to write what you know, but I don’t believe that should be the limit and as long as you do your research and start with good intentions then I don’t think you can too far wrong.

It has been a good year for seeing and doing though.

I managed to complete my fourth year of blogging about the NFL and have completed the regular season on my fifth.

I published my second book, a sequel to A Ghost Called Dog, entitled The Price of Magic, that picks up four years later from the original events in Ghost and carries on the story arc. I have also made a good start on the third book, but there’s a long way to go before I start to think about publishing it. There’s plenty more to do with the first two in terms of sales before I know how to publish the third, but I’m thinking about it. Right now I’m making lists and jotting down ideas, but you’ll be hearing from me.

I’ve kept this blog ticking over with posts about the second book and a couple of events I have been to. I plan on doing the same next year as it’s nice to keep the writing hand in when book research takes over, plus it’s always handy to try new things. I managed to see two bands I never thought I’d see last year, writing up my experience of both The Dresden Dolls and The Gaslight Anthem.

I perhaps should have written up my experiences with the band I’m in, called Diceratops, who got through to the finals of the Metal 2 the Masses Leicester competition and so although I didn’t get to play Bloodstock, we got to play at the De Montford Hall in Leicester, and network with some very cool musicians. I got a new phone last year that seems to help no end taking decent pictures (so much its even helping me learn what I need to work on with my digital SLR) so here are a few of my favourite photos from the competition. We are entering again this year, and perhaps it will be third year lucky to get to the festival.

I’m not good enough at lists to be able to say with absolute certainty what my favourite things were of last year other than book, which was undoubtedly Record of a Spaceborn Few by Becky Chambers who is rapidly becoming one of my favourite authors. I wrote about it in a newsletters so feel free to follow the link there to take a look.

I also got to see a few shows in 2018, including Matilda and Agatha Christie’s Love from a Stranger at The Curve in Leicester, and both parts of Harry Potter and the Cursed Child where I was suitably nerdy.

I also got to start the year seeing Hamilton as I previously said. My partner and I really wanted to see it, even before various family members saw it (some of them multiple times) and so off we went last week. I had become pretty obsessed by the soundtrack in the last couple of months. I’m still not good at learning whole songs, but various lines and bits jump out to me. Whilst I don’t exactly relate to all the experiences of the ten-dollar Founding Father without a farther, but the title of this post comes from Non-Stop and I certainly know why I write like I’m running out of time. Mostly because I am, which is probably the kind of thing a therapist would want to interrogate me about. It certainly might explain me trying to do all the things I can, but back to the musical. I might actually just be belatedly falling in love with Lin-Manuel Miranda having discovered his previous musical In The Heights through getting the digital copy of Hamilton:The Revolution. I’ll be getting the full book from my friendly local book shop as I didn’t fancy hauling it back on the tube and nursing it under my seat at the show.

‘I will send a fully armed battalion
To remind you of my love!’

I’m pretty familiar with the soundtrack, but it was great to see Hamilton performed so you can correct all the lines you’ve wrongly attributed by voice and it’s pretty amazing to see how it is staged. I’ve always had a soft spot for King George in the play and he was suitably fantastic, but then so was everyone. I missed the doubling up of parts before reading the programme, but the nearest thing the whole show has to a misstep is having to suspend disbelief for an adult playing a nine-year-old son. However, I was taken away by the story and had new record set for number of times the second half made me cry. I’ll try to avoid spoilers, but let’s just say the senselessness of duelling over honour is really jarring to a modern ear.

‘Look around, look around, at how
lucky we are to be alive right now.’

Stepping back out into the world was also a jar but I’ll take a lot of memories with me, including the cheers at:

‘Immigrants: We get the job done.’

It feels like we are living in tumultuous times right now. A cursory glance at the news will generate a litany of things to sap the mind and spirit, so it’s been nice to take stock and remind myself of what I achieved and the things that lift the spirit. Art should challenge and throw a mirror to the world, but that doesn’t mean we can’t be entertained and cheered by it at the same time. There is space for different types and I hope to produce more in the coming years, including some more things for this site ahead of the next book.

So, as ever, to all the things!

A New Book & a New Season

I sign off to all the things a lot because by my nature I want to do all the things.

I’m currently listening to the Revolutions podcast cover the French revolution and you best believe that I want to read more about it and a tiny part of me thinks hey, learning French to read original sources would be cool.

What I am actually doing is working on a new book and blogging for another NFL season. The NFL blog started as a step towards becoming a more serious writer. It gave me somewhere to practice that had scheduled content that would ensure I have to kept at it and establish a writing routine. Over the years it has helped me by making me write a lot of words, learn more about American Football, think about coaching and leadership, get comfortable talking on a podcast, build and improve websites via – the list goes on.

So whilst I have started my fifth year writing the blog and still I haven’t been hired by the NFL, ESPN, or The Ringer, it is still teaching me things. The custom menu bar I’ve just put up on will enable me to sort out some navigation bits for my writer’s site shortly and I literally figured that out last week now that my friend is writing posts rather than producing podcasts and I wanted to tidy up the blog streams.

What does this mean for writing? Well it is true my fiction writing slows down a little for the following four months, but it also gives a flow to the year that keeps both things fresh. I would have liked to have got a bit more writing done this summer, both fiction and for the NFL blog but publishing a book takes up a lot of time and the more you want to do with a book, the more it appears I need to research. That’s not because I didn’t know where things are going with the series of books I am writing, I have the outlines blocked out and various key plot points setup, but when you start to fill them in by writing the actual words you need the detail.

‘But don’t you make them up, out of your head? I thought you just asked what happened next.’ I don’t hear you ask.

I’m pretending one of you asked this question to get to the point I want to make, and feel free to read my guest blog here if you want to get the background on the above quote, because what I said was true. However, even if I have asked the question and know what is going to happen next – that doesn’t mean I know the how of it and one of things that I have to do is work out the mechanics of everything that is happening in my books for it to make sense to me. I am slowly getting better at learning what I need to cut from my early drafts so I can better judge what to show and what to hide, which is required to stop a living story becoming a dry list of details. Yet as someone who always wants to know how things work, I need to have as many details tied up as I can so that the story works as there is nothing as jarring in a book than when the story doesn’t hold true to its own internal logic.

As someone who writes the kind of story that frequently has magic or other worldly elements, these have to stay contained within a coherent structure that does more than simply resolve plot points for me. You can’t just produce a magic object to solve a problem you have written yourself into or rely on plot armour for your characters to remain unharmed. If you establish trust an audience will go with you, but only so far and even when you are making up entirely new things they feel more real if you can structure them in something analogous.  Or perhaps you’re trying to talk about something without just saying, here comes the bit on equality or how you should live your life.

As a writer I like to have a certain amount of research done, and I have gone back and done some more for this book having made a false start of the early chapters but I’m now at a point where I’m happy to keep working through the first draft, even if I have already found a topic that I need to investigate even more deeply. Yeah, it’s a tough job for a bibliophile, needing to read books to help further your craft or to fine tune a plot point, character trait, or if you want to write something based in psychological truth.

I’m trying to balance this against the NFL blog and researching marketing to try to get my books into more people’s hands. As someone who works full time, I cannot devote the time that some self-published authors do to events so whilst I’m not trying to sneak shortcuts, and I’m not afraid of hard work, I am trying to learn more to keep things rolling and to find new readers.

Still, it’s a part of modern publishing so I’ll keep plugging away and hope you hang in with me. I have so many more stories to tell and hopefully with your help I can find enough people to keep telling them to. If you’ve enjoyed either of the books give them a review or buy a copy as a present or recommend them to a librarian if you know one.

As for me, it’s back to the never ending job list that is life.

What’s next?

The Book is Here, Now What?


You see all the time news stories about the pace of modern life and I am as bad as anyone for being focused on the next thing and so I sailed through the official release date for The Price of Magic with my head full of blogs that need writing, updates to the website for the new book, the newsletter I’m planning, marketing, and whatever else is going on.

This post was meant to be written and go up at the weekend but life got in the way. Well, part of that is the best laid plan of mice and men oft go astray, but equally I’m working on a post for my American Football blog and as a writer what I really want to do is create and I have a new book to write, which I have started.

We all have these competing pressures in our life. Not just the I’d really like to do X if I could find the time, but I need to get the washing up done and wash the clothes over the weekend and this could get to be a really long list but I’m sure you get the point.

I am not very good at stopping to take a moment. There’s always the next project, something else that needs doing either for work or for home. Even with cutting back I still get caught out and before you know it, my book has officially been released for over a week.

The thing is, I am proud of having another book out but my mind is on to what’s next.

That’s just the way I am wired.

And then you get a message from your friend overseas that their book has arrived.

That’s when it hits. When you’re an independent author the moment of validation isn’t on publication because you have invested in that moment yourself. Yes you wrote a book, had it edited, gone through the typeset and cover design etc. but you are the initiator, no one said we’re going to publish your novel and then takes it away to get it done. I had to make this happen with the help of a lot of people.

That is how it works for me anyway. I have spent enough time on a meditation stool to be pretty aware of how my monkey brain leaps around and that is where most of my writing ideas come from, because at any moment something around me whether I’m researching for a book, listening to a podcast, or just going about my day – my brain will suddenly announce here’s a solution to that story problem, hey this might make a story, you idiot you were working on the wrong blog.

However, if these moments are to go from a quick note on my phone, or a line or two in the ideas folder on my memory stick, to a blog post, short story, or a book, it takes focussed work. However, for people to see that work then other things have to take place.

As a self-publishing author I don’t have one of the large publishing houses doing things for me.

I have companies that I work with, that offer services and I have to work out which options to go for and agree plans and let them do their tasks whilst I do things to support the project.

If I lose track of this and don’t do what I am supposed to then I can spend all the time in the world researching and writing the next book, but maybe no one gets to see it as if I can’t make this book a bigger success than the last one then at what point do I stop investing into these projects?

It is not a sexy writing moment. It is the hard excel spreadsheets and tax returns that running a creative business entails. At the moment I’m not trying to sustain my life with writing, but I am serious about turning this into a venture that at least supports itself and eventually makes a profit.

But in a way this does aid the creative process as it gives me bench marks, it’s a different type of validation but at the end of the day anyone who writes does so to get read. There are many different models on how to do that and it has been an endless discussion for as long as there has been art – why should I pay for this?

There are also many different answers and right now I’m not going into difficult area of justifying art, but I will go into why I want to keep doing this. It’s a simple answer really.

I want to be a better writer.

This makes me a better writer.

I think we have made a better book this time. I think I wrote a better book and went through the process with more knowledge which let me make new and interesting mistakes.

Mistakes are how you learn things. That’s pretty much what science is. Finding out what you got wrong, correcting and then testing the new thing. Then someone comes along and tries to repeat your experiment and finds the mistake you hadn’t even thought of.

I have improved my process but I also know how I want to change things next time. That goes for the practical aspects for writing and editing a novel. I want to put a better book in front of my beta readers and my editor. I want to be able to do this for myself and whilst you can’t skip the editing and proof reading process – I would like to make them easier.

I am already writing book three. There is some more research to do, but I have put together notes and ideas, already spoken to people and realised that I need to do some more blacksmith/armourer research.

That’s all the fun stuff. I also have a tax return that I’d like to do before January this time, marking to do, the mythical newsletter to finish setting up and get going. There’s always something more but also, there’s things going on that I need to pay attention to.

And then, like a ringing meditation bell someone lets you know they’ve ordered your book, and you pause for a second basking for a moment that yes I did do that, and then it is on to the next thing.

To all the things.

As Publication Nears

The most important piece of news I have for you is that not only has everything been signed off ready for press, but that the order is in and I’m now simply waiting for the books to show up. This whole project will suddenly feel much more real when I can finally hold a copy of the finished book in my hand. I’ll also try to stop worrying about missing anything in the text.

I am continuing to work on a marketing plan, which doesn’t sound very glamorous but when you are self-publishing it is very important as you need to get your book into as many hands as possible because at the end of the day, if people don’t buy enough copies of The Price of Magic then that limits or possibly even stops the next book from happening. I am finally moving from making notes to making plans for the next book. There are scenes slowing beginning to form in my mind, including one of the final scene of the whole arc (I think that will be a fourth book in this series but it’s early so don’t quote me), and I’m having some really helpful conversations about how to make what will happen to two important children as authentic as I can within the context of a magical adventure. I hope to do them justice but none of it will matter if I can’t find a way to get the next book published.

I imagine there is always tension for a writer between doing justice to what is coming out, versus the exciting new adventure that is the next book. Particularly when you are in the fun early stages of a new project when the problems haven’t set in yet. I’m certainly looking forward to some creative writing in my future.

However, as ever I have to balance this against not only the marketing and hopefully events for the launch and publication of my book, but work and blogs and this would be a juggling act even if I didn’t have a nasty habit of throwing myself into various projects or creative outlets like the band I’m in.

Still, it certainly stops things from getting boring and there is a definite motivating factor in getting admin work done when the prize is some precious creative writing space. I’m actually going to start the next book in the coming days although there is still more research to do. However, on top of that, I am also in the middle of setting up a newsletter. This will be a slightly less formal way of me keeping you up to date than the blog/FB page so look out for a sign up coming soon and hopefully we can shape a fun back and forth that entertains if nothing else.

As ever, to all the things!

A Month is a Short Time in Publishing


There is something reassuring that as much as technology and society seems to be speeding up the world around us, that writing and publishing still work on a slower time scale because until someone can come up with an algorithm smart enough to edit and understand natural languages, the editing and layout of stories is still something people have to do, at least for now.

Sure computers have sped the process up massively and I can use an application to compare files to make sure only the changes I have marked up have been carried out, but at various points I’ve still had to check the pages by eye and print off copies to read. I don’t always do this for editing, but if you want to take a really close look at the text then there is really no substitute for holding it in your hand as there is a difference between reading a text on a computer screen rather than paper.

I feel like I am getting better at this process, but it inevitably takes more time when you have to find an hour here or there round a full time job to do it. Heidi, who is the person coordinating my book’s journey through production at Troubador has been wonderfully patient and although I did find a handful of edits from the last typeset I wrote about here, the text is now set and we’re just working through the last few layout tweaks before I can pass it for press.

What has been finished is the cover, and I will blog about that properly once I have all the images I need to show you the various stages of the journey from vague ideas connected to the book, to sketches, selections, the final image taking place and the full cover.

I’m very close to letting go of the book, as every writer does, because at some point there is nothing left to do but let it go into the world and hope people take care of it.

I have been researching book three when I can for months now, but hopefully that should pick up pace soon, which is good as it feels like a long time since I did some actual creative writing.

However, my focus obviously has to be on the current book and I’ll soon be sitting down with my marketing person (it still feels a little weird to say that) to shape up what we can do to get The Price of Magic in front of as many people as possible. That might not have been the most showy way of revealing the title of my new book, but hey, I’m not really that kind of writer.

Onwards to the next thing.

To all the things!

The Difficult Second Album

Somehow seven months have slipped by since I last updated this blog. That’s time for an entire season of NFL blogging, multiple edits of the new book and typeset checks so I guess I had better get things back on track with this blog and quickly, because whilst I may have been quiet on here, things have been anything but quiet for me.

So, where am I now?

I have come out of the post NFL relax week or two that usually follows the end of the Super Bowl and what I think of as my NFL blogging season. The NFL blog has been a great platform to learn when I can write, gives me structured thing to practise developing content and getting writing reps in, and gives me an excuse to watch a lot of American Football. I also thoroughly enjoy my weekly chats with Dan for the podcast, which also helps me form ideas for the blog and help give it structure, and this season get NFL trivia questions wrong. For those of you who were listening you will have got a sneak preview of the title of the new book.

I have already started to outline how I might tweak things for next season, but there’s plenty of time to think about that.

Whilst the season was going on, we’ve put in place the plan for the sequel to A Ghost Called Dog got everything sorted out with the relevant publishing companies and I’ve been hard at it. Mostly I have been focussed on turning the new book into the best piece of work I can. We have used the same editor, Karen Holmes, who edited Ghost but the new book is setting up something bigger and more complex so the draft I started from needed a fair bit of work and it took a couple of passes to turn that draft into a manuscript that works the way I intended

You always learn from your mistakes and there are several things I can take away from this process that will hopefully serve to improve the next book’s development. I say improve as I believe it is a common folly for all writers to start their next book full of confidence that they have learnt so much and there will be no problems with this one. Yeah right…

Still, I am determined to improve things both in terms of planning, plotting, and my initial editing process. I think I’ll always need to write my way through problems and questions, but hopefully I can weed out the excess that readers don’t need to see before putting the next manuscript in front of an editor. I might need a better laser printer for that.

I did at least avoid the whole difficult second album problem because my life did not change radically after the release of Ghost, and although it was my first published book, Ghost was in fact the third book I had written.

Currently, I am trying to get the typeset finished. My latest batch of amends has gone back to the publisher, and I’m confident once those changes have been made that the text will be set. We will still need to check the layout to find out what if anything has drifted and if we need to move any text around pages, but we are getting close. I am excited about how the illustration for the cover has turned out and as we have the dimensions of the spine sorted I don’t think it will be too long before the full cover starts to takes shape.

I’ll keep you updated on how things are going, and I have a couple of other tweaks and changes that I’ve been thinking about for the website and staying in contact with everyone.

For now I will say, I am incredibly grateful to all the people who have had kind words to say, been supportive, or just wondered where I found the time. I’m not giving up any time soon; I have a bunch of ideas for future books outside of the sequels for the little series I’m developing now. I just have to keep going with the writing and finding ways to get that writing into people’s hands, digital devices, or even uploaded directly into your brains once the technology exists. That last one might be a little over the mark…

Cross-Training for Writers

It has been a weird couple of weeks in the UK, and not exactly the backdrop to the launch of my book I was expecting. It is released on the fourth of July, available to order in both digital and physical formats from all the usual online book places and I hope to get it into some local book shops too. Well obviously, I hope it eventually makes it into a lot of book shops but one step at a time. I’m very happy to have already had some pre-orders so we are on our way but you have to break these grand projects down into small steps.

This takes me to the heart of what I wanted to discuss.

When I wrote a couple of weeks ago about the book coming soon, I was asked, ‘When did you find time to write a book?’

In my roundabout way I will attempt to answer that question.

I have fiddled with words in one form or another for most of my life. I have always loved reading, and I fiddled with little stories, wrote bad songs with the occasional good lyric, and helped arrange better songs. A couple of years ago, having somehow written two books over the course of perhaps a decade I began to get more serious. I started writing short stories for competitions; I started submitting to magazines and agents.

I also started to think more about writing. How to get better at it, or at least how I would try. There’s all kind of books and articles written about how to write. I’m not going to be exhaustive in advice that worked for me, what I wanted to talk about now is how I got better at writing books by not writing books. Specifically, the cross-training that informed how I approach writing books and I think made me better than I was. It is up to other people to decide if the resulting books are actually good.

Cross-training, is an idea from sports where you train in different disciplines to get better at your main sport.

16-06-30 Weights

Why a picture of weights? I want to talk about how lifting weights has made me a better writer. This might seem a little strange, but trust me there is a rationale behind it. The obvious benefit would be that a writer spends a lot of time hunched at a keyboard, or over paper depending on your method, so performing any kind of exercise helps keep you fit and gets the blood moving.

However, what I wanted to talk about is how making the regular lifting of weights a part of my life has helped me make writing a regular part of my life, and it’s not just that it is another habit I have picked up.

I am by no means an expert, my numbers would be singularly unimpressive to a lot of people and I definitely do not have washboard abs. However, over the years of trying, failing, and finally finding a routine that works for me I’ve noticed the habits picked up lifting weights are very similar to the ones I use for writing.

Approach – A Marathon Not A Sprint

Fitness is one of those areas where everyone has a shortcut, or a plan to sell you, not helped with the offseason claims of pro-athletes to have added 20 Ibs of muscle or dropped to an impossible body fat percentage.

In some ways it is easy, want to get stronger? Lift heavy, lift often, and crucially, be patient. It takes time to build strength. Most people can’t walk into a gym and deadlift 100kgs. The truth is, there are no shortcuts. You have to go through the process. In fact you have to enjoy the process, and you have to be prepared to put the work in.

Want to write a book. Write. Write often, and crucially, be patient. It takes time to build a book. You have to take a story idea, and turn it into words, all the while watching as it twists in the process of writing into something different to what you first imagined. You have to cut things you love because they don’t serve the story you are telling. You have to enjoy the process enough to keep going.

Planning – Something in Mind

If you wander into a gym with no plan, then you are not going to build towards something, and will very likely hurt yourself.

If you sit down and write a book without a plan, then you might write something brilliant, but the odds are that you are not a reincarnation of Shakespeare or Dickens and I’m pretty sure that the idea of them sitting down and just writing masterpieces is rubbish – they had to work at it like the rest of us.

For lifting, I am using a version of Jim Wendler’s 5/3/1 program. I have modified it a bit so it works for me, but only after doing it for a year and figuring out that I get better results with smaller increments and learning to be flexible but keep getting the main lifts and body weight work in.

There’s a strong chance that you have no idea what that last paragraph means. That doesn’t really matter for our purposes. The key thing here is that I had a plan, I modified it slightly but stuck to the principles, and most importantly, I listened to my body.

For writing, this means write often, but if writing every day without fail turns your love into a chore, give yourself the weekends off. You have to watch that rest doesn’t turn into the habit of not writing, but if you enjoy a process then you are more likely to keep doing it.

With weight training and exercise rest is incredibly important, it is not just a matter of getting bored by the same routine, you have to factor in recovery and adjust as your body dictates. You really have to give your body time to build more muscle.

I believe it is the same for writing. You have to plot, plan, but adjust your plan as words drop into place and twist away from you. Trust me, sometimes I’m as surprised at a character’s actions as you are. Maybe there a writers who can do all this at the same time as they type or write with a pen, I can’t. I have some idea of where I’m going, but the scenes takes shape over days. I can see problems on the horizon and solutions present themselves when I’m not trying, but when my brain is roaming. Carrying a note book for these moments has proven to be a good idea.

Execution – Goal Setting and Tracking

You don’t just need to plan your lifts, you have to track them and update them. I have a nerdy spreadsheet to keep track of my four week cycles. I know what sequence I am doing my three different workouts a week, what weights progressions I should go through. The workouts move days or swap around as the week dictates, but I make sure I complete all of them.

For writing I have rough word counts. These change depending on if I’m blogging about the NFL (a practice that in of itself is cross training) or here. I don’t worry about long term goals and getting a particular quantity of words written in a month. I have a full time job, a band, and I write books and a blog. I can get 20, 000 words out in a month during the NFL season, but whilst I’m tracking what I do, I am not aiming for word limits but certain articles each week. Even then I don’t always make it. Life gets in the way.

With fiction, I aim to write between 300-400 words when I sit down to write. It doesn’t sound like a lot. It isn’t a lot really. However, if you keep adding them together they add up. If I have to break out into a deep bit of research to sort a problem then I don’t beat myself up for missing my creative writing total for that day. I keep a log so I can see it moving along. Keep doing that, and whilst the world sails around you, a book appears.

I’m still working on a sequel to A Ghost Called Dog. I’m still working on benching 225Ibs.

And as long as I keep chipping away in small steps using what I’ve learned under the bar to inform what I do at the keyboard, I am confident I will achieve both.

The difference is that 225Ibs will always be 225Ibs (physicists please let me ignore fluctuations in gravity for this comparison), while a book may be finished, but it doesn’t mean it will be any good. That’s why editors are amazing.

I think that pretty much anyone would benefit from some form of strength training just to feel healthier, but it might not be such a bad idea for your writing either.

A Book is Coming

A book is coming. In Fact, technically it already exists as a physical object, although somehow in a twist of fate, out of the various people actively involved in the project, I am the only one who has not seen a copy yet. Some have gone to the publishers to be issued to the UK copyright libraries, others have gone to the marketing company and our copies were delivered to my parents as they had the advantage of being in! I will see them soon, but let’s go back to how we got here first.

The last couple of months have been a bit of blur for me, so I shall spare myself and you an attempt at piecing together an exact timeline of what happened, but here is what did.

Having submitted my edited and proofed manuscript we set about the fun task of getting the book typeset and designed. I had been already talking to artists about an illustration for the cover, and having been given a helpful steer by my godmother I was put in contact with Rose Hutchings who after a telephone discussion agreed to do it. This was an interesting process for me as I had some compositional ideas about what I wanted to feature, but I had not considered anything like the emotional tone. After our discussion, and having been sent a copy of my redrafted manuscript, Rose produced a number of sketches for me and with a certain amount of canvassing of other people to check my opinions, I selected the one that would become our cover. Rose continued to work things up for me, tweaking near the end until I had the illustration that you see below:

16-06-09 GCD v001

If I had some ideas about how I wanted the cover to look, I was slightly taken aback to find myself momentarily without an opinion about what I wanted for the actual layout. I love books as objects, and definitely have preferences for design, but hadn’t really thought about it much for my own project. So when Catherine very reasonably asked about things like font preferences, I was only able to offer up a liking for working in Palatine Linotype, which I hardly ever bother with as the first thing I have to do when submitting a manuscript is change the font to the usually requested Times New Roman. However, once Catherine and the people from 2QT started sending me some mock-ups of various design options and fonts, then preferences quickly came to the fore. After a conference round my parents dining table with various print-outs, and me grabbing my dad’s printing eye glass, we quickly settled on a font (for the record, Palatino was the first to be thrown out so as ever, I know nothing) and eventually we were able come up with a design layout.

We also had sent the final illustration from Rose to 2QT so the ever patient Charlotte Mouncey could turn this into a book jacket. I say jacket, as not only did she have to sort the front, but come up with the rest of the design and place the text of the blurb. This was something that I had tried to draft, working on the elevator pitch I had always used and with a word limit suggested by Ben Cameron who is doing the publicity campaign for the book. However, it turns out that people who run companies that do this sort of thing professionally are really good at doing things like writing blurbs and so when Catherine sent us a draft it was obvious what we should use that, so with a couple of tweaks it was set. After a couple of emails Charlotte then nailed the design of the whole jacket and the cover looks like this:


So, just when I thought I was done with reading and checking. We got the final layout to check, and so one final read. This sent me back into another bout of editing frenzy but with a few final final edits we were done.

Things are in motion, and as I said, there are copies of my book in the world. It exists. It’s a thing. Now I just need to sell it. But people are reminding me to be proud, so for a moment I’ll allow that, in deference to Rachael, Dad, and Brooke.

It will be on to the next thing tomorrow.

Having Multiple Irons in the Fire

One of my biggest writing challenges at the moment, is finding new ways to explain the gaps between updates on this blog, which are basically always down to there being too many things going on at once. However, in this case I am going to attempt to demonstrate why this is not always a bad thing.

So apart from the ongoing process of working through production drafts, selecting fonts and layouts, agreeing cover design having got the cover illustration, I have also started on a sequel for my soon to be published book. This was not necessarily what I had intended as my first children’s book was written as a stand alone story. However, back in December whilst discussing business plans with my dad, he casually mentioned that if this project took off, that ideally we would have a follow up book not too far off and preferably one set in the same world with most of the same characters. Oh great!

Luckily for me, the idea for a sequel popped into my head the next morning whilst I was having a shower. There may be hope for me as an artist that gets read after all, but I’ll have to see if the sequel turns into something I’m happy to publish or not. It is still too early to tell.

That said, one of the benefits of self-publishing is that I get to make that decision for myself, which makes a refreshing change for someone who has spent considerably more time writing than having been published. This is not a complaint, it’s all part of the process, but having multiple manuscripts and short stories finished, a book coming out, and others in the work does lessen the pressure than if I was working on the one book. Even if it does mean juggling various bits of writing for production reasons, competitions, on top of just finding a window to write.

I am entering fewer competitions these days, not because I think they are necessarily a bad thing, but because much like applying to agents, there is an element of a numbers game to them. A lot of the big competitions have thousands of stories entered, so it very hard to get a story noticed under such circumstances. Even making the short list is an achievement, and whilst I know that for me, I am really hoping to generate interest in a story rather than necessarily win, I do not need the external prompt of a competition to spark something to write. I have enough ideas battling for my attention as it is.

Having said all of that, somebody did bring my attention to a competition earlier this year, that the science fiction magazine Shorelines of Infinity were running, and low and behold an idea popped into my head.

I looked at the pictures they were using as a prompt.


I wrote. I entered. I did not win. In fact an excellent story called The Great Golden Fish by Dee Raspin (on twitter @DeeRaspin) won, and can be read in issue 3 of the magazine, available from their website here.

However, now that I have a blog, there is no reason for this story to lie around in my digital vault for no reason, with the picture that set me going, I give you my own story with one of the Illustrations.

Just click here to go to its new home on the internet.

I’ll be writing a blog all about the final stages of the book publishing just as soon as everything is sent off!